The StudioLive 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications.
The StudioLive 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications. Don’t let the road-ready size fool you; the StudioLive 32SC sports a dual-core PreSonus FLEX DSP Engine powering 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. With 128 (64×64) channels of USB recording and AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32SC provides all the tools you need—whether you’re building your dream studio or putting together a pro touring rig.
mixer.
The StudioLive 32SC digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required and complete your 32-channel, 16-bus StudioLive 32SC. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching on your StudioLive 32SC digital mixer and in UC Surface remote mixer software.
Superior sound.
We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SC digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SC mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SC mixer scene, the mic preamp trim values can also be recalled along with the other settings.
The mobile music recording studio.
PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SC digital mixer or on your Mac or Windows computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.
The digital mixer built to record music.
With 128 (64×64) channels of recording over USB, you can record every input channel and bus on your StudioLive 32SC for the ultimate recording rig. Each channel can independently access its analog input or its dedicated digital return from your computer. Six pre-installed vintage EQ and classic compressor Fat Channel plug-in models can be used onboard your mixer as well as within Studio One. And you also get Fat Channel Collection Vol. 1… which includes 15 additional vintage-modeled EQs and Compressors—a $149 (USD) value if purchased separately. Fat Channel plug-ins can be inserted on every input channel and output bus, giving you extensive, studio-style processing while mixing and recording.
Features
Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class
40 input-channel digital mixer with 17 touch-sensitive motorized faders
16 local digitally controlled XMAX mic/line inputs
16 digital channels (AVB, USB, or SD)
2 balanced stereo aux inputs
1 stereo tape input (RCA, USB, AVB or SD)
4 FLEX FX returns
1 Talkback
26 mix buses
16 FlexMixes (Aux, Subgroup, Matrix)
4 dedicated FLEX FX buses
4 dedicated subgroups
Stereo Main bus
286 simultaneous processors
HPF
Gate / Expander
Compressor with Fat Channel plug-in models
4-band/6-band parametric EQ with Fat Channel plug-in models
Limiter
31-band Graphic EQ
4 FLEX FX slots featuring legendary classic reverb emulations and delays
State Space-Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated effects buses
24 DCAs to control groups of channels
128-channel (64×64) recording over USB
Onboard multi-channel SD recorder (34×34) with true Virtual Soundcheck mode
AVB Networking onboard (64×64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more
User Profiles for managing multiple operators with custom permissions
Per channel digital patching from any analog, AVB, USB, or SD Card source
DAW Control
Advanced Studio One control integration
MCU emulation mode optimized for Logic
HUI emulation mode optimized for ProTools
Remote control every mix function from your computer, iPad, or Android tablet with UC Surface (included)
Put your musicians’ monitor mix under their fingers with QMix-UC (included) for iOS or Android
Capture 3.0 multitrack software included
Automated Virtual Soundcheck
Store StudioLive mix scenes with your audio
Advanced Studio One integration (Studio One Artist Included)
XMAX mic preamp control from Studio One
Control Fat Channel parameters from Studio One mixing console
Fits in a standard 19-inch rack with optional rack mount kit
Computer system requirements:
Below are the minimum computer system requirements for UC Surface, QMix-UC, and Studio One®.
Mac
macOS® 10.11 or higher (64-bit only)
Intel® Core ™ 2 Duo processor (Intel® Core i3 or faster recommended)
4 GB RAM (8 GB or more recommended)
Windows
Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
Intel Core 2 Duo (Core i3 or faster recommended)
4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
USB 2.0 port
Internet connection
Internal or external 7200 RPM storage drive
30 GB hard disk space
Monitor with 1366×768 resolution
iOS
iOS 10 or later
iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)
Android
Android ™ 5.0 (Lollipop) or later
Android smartphone (QMix-UC)
Android tablet (8-inch) with 1024×768 resolution (UC surface)
Note: The minimum system requirements may be different for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that this is the speed of your processor, the amount of RAM and the size of your harddrive will increase the overall performance of your recording system. So, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience.
VST is a registered trademark of Steinberg Media Technologies GmbH
ASIO is a trademark and software of Steinberg Media Technologies GmbH
Technical Specifications
Mi crophone preamplifier
Input Type
XLR Female, balanced
Frequency Response to Main Output (at unity gain)
20-20 kHz, ± 0.5 dBu
Input Impedance
1 kΩ
THD to Main Output
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S / N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
94 dB
Common Mode Rejection Ratio (1 kHz at unity gain)
65 dB
Gain Control Range (± 1 dB)
0 dB to +60 dB
Maximum Input Level (unity gain)
+12 dBu
Phantom Power (± 2 VDC)
48 VDC, switchable per channel
Line Inputs
grade
¼ “TRS Female, balanced
Frequency Response to Main Output (at unity gain)
20-20 kHz, ± 0.5 dBu
Input Impedance
10 kΩ
THD to Main Output
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S / N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
94 dB
Maximum Input Level
+18 dBu
Tape Inputs
grade
RCA Female, unbalanced (stereo pair)
Maximum Input Level
+12 dBu, ± 0.5 dBu
XLR Outputs
grade
XLR Male, balanced
Maximum Output Level
+24 dBu, ± 0.5 dBu
Output Impedance
100Ω
Line Outputs
grade
¼ “TRS Female, balanced
Maximum Output Level
+ 18 dBu, ± 0.5 dBu
Output Impedance
100Ω
Tape Outputs
grade
RCA Female, unbalanced (stereo pair)
Maximum Output Level
+ 18 dBu, ± 0.5 dBu
Output Impedance
100Ω
Headphone Output
grade
¼ “TRS Female, active stereo
Maximum Output
100 mW / ch. @ 60Ω load
Frequency Response
20 Hz – 20 kHz (± 0.5 dB)
THD + N
0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
S / N ratio
96 dB, 1 kHz, max gain, 20 Hz BW, unwtd
System Crosstalk
Input to Output
-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
Adjacent Channels
-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
Digital Audio and Control
ADC Dynamic Range
115 dB (A-wtd, 48 kHz)
DAC Dynamic Range
115 dB (A-wtd, 48 kHz)
USB Recording Port
USB 2.0, Type-B
AES / EBU output
XLR Male
Network Control Port
RJ-45
AVB Audio Network Port
Locking XLR Ethernet
Internal Processing
32-bit, fl oating point
Sampling rate
48 kHz, 44.1 kHz
A / D / A Bit Depth
24
Reference Level for 0 dBFS
+18 dBu
Total System Latency
1.9 ms (local routing, analog in-analog out, all processing active)
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