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English Description about Korg Nautilus 61 Key AT below
NAUTILUS คือเวิร์คสเตชั่นยอดนิยมของ KORG กลุ่มผลิตภัณฑ์ผู้สืบทอดต่อจาก KRONOS ที่ได้รับความนิยมอย่างมาก ปัจจุบันมีรุ่น AT ใหม่สองรุ่น NAUTILUS AT วางจำหน่ายในเวอร์ชัน 61 และ 88 คีย์ พร้อม Aftertouch ให้กับกลุ่มผลิตภัณฑ์ โดยนำประสบการณ์ใหม่ของการแสดงออกทางดนตรีมาไว้ที่ปลายนิ้วของคุณ
NAUTILUS AT มีไลบรารีเสียงที่ได้รับการปรับแต่งอย่างเชี่ยวชาญ ซึ่งนำเอฟเฟ็กต์ควบคุมอาฟเตอร์ทัชที่น่าตื่นเต้นมาสู่โปรแกรมที่มีอยู่ ซึ่งหมายความว่าคุณสามารถใช้ความสามารถด้านการแสดงอารมณ์ของ Aftertouch ได้อย่างเต็มที่ตั้งแต่แกะกล่อง
Aftertouch ร่วมกับการสัมผัสครั้งแรกและปุ่ม DYNAMICS (ให้การควบคุมการเปลี่ยนแปลงของเสียงได้ทันที) จะเปิดการแสดงออกทางดนตรีที่หลากหลายในเครื่องดนตรีเพียงเครื่องเดียว เมื่อรวมกันแล้ว คุณสมบัติเหล่านี้จะปลดล็อกศักยภาพของเอ็นจิ้นเสียงอันทรงพลังทั้งเก้าอย่างแท้จริง และคุณสมบัติอื่นๆ มากมายบน NAUTILUS
NAUTILUS AT มีให้เลือกสองเวอร์ชัน: รุ่น 88 คีย์พร้อมคีย์บอร์ด RH3 ถ่วงน้ำหนักระดับพรีเมียมเพื่อความรู้สึกของเปียโนที่น่าทึ่ง และรุ่น 61 คีย์ที่ให้สัมผัสของคีย์บอร์ดซินธิไซเซอร์ที่เบา ตอบสนอง และนุ่มนวล
(*) NAUTILUS-73 ไม่มีเวอร์ชัน AT
คุณภาพระดับพรีเมียม
NAUTILUS ผลิตในญี่ปุ่นด้วยคุณภาพระดับสูงสุด รุ่น 88 คีย์ใช้คีย์บอร์ดเปียโน RH-3 ที่ได้รับการยกย่องอย่างล้นหลาม ซึ่งเป็นคีย์แบบแอคชั่นคีย์ถ่วงน้ำหนักแบบสี่ขั้นที่ให้ความรู้สึกเหมือนเปียโนที่สมจริงอย่างยิ่งสำหรับแม้แต่ผู้เล่นที่ฉลาดที่สุด คีย์บอร์ด RH-3 จะค่อยๆ มีน้ำหนัก ซึ่งหมายความว่าโน้ตตัวล่างจะหนักกว่า และโน้ตตัวที่สูงกว่าจะเบากว่าเพื่อความสามารถในการเล่นที่ยอดเยี่ยม NAUTILUS AT แบบ 61 คีย์มีคีย์บอร์ดซินธิไซเซอร์พร้อมสัมผัสที่เบา สามารถสร้างการแสดงที่ซับซ้อนที่สุดได้อย่างน่าเชื่อถือและให้ความรู้สึกนุ่มนวลที่สุด
เนื่องจากเป็นส่วนหนึ่งของกลุ่มผลิตภัณฑ์ NAUTILUS ที่กว้างขึ้น จึงง่ายต่อการระบุรุ่นที่ติดตั้งระบบอาฟเตอร์ทัชด้วยเครื่องหมาย AT เหนือโลโก้ NAUTILUS บนแผงด้านหน้า
อัปเกรด NAUTILUS ของคุณ
เจ้าของปัจจุบันของ NAUTILUS* 61 และ 88 คีย์ไม่จำเป็นต้องพลาด KORG กำลังเปิดตัวบริการอัปเกรดที่อัปเดตทั้งฮาร์ดแวร์และซอฟต์แวร์ของคุณ โดยเปลี่ยน NAUTILUS ของคุณให้เป็น NAUTILUS AT สำหรับข้อมูลเพิ่มเติมและราคาของบริการอัปเกรดในพื้นที่ของคุณ โปรดติดต่อทีมบริการลูกค้า KORG ในพื้นที่ของคุณ
*บริการนี้มีเฉพาะรุ่น 88 และ 61 คีย์เท่านั้น
Powering new heights of musical expression
NAUTILUS is KORG’s flagship workstation. The successor to the wildly popular KRONOS, the range now includes two new AT models. Available in 61 and 88-key versions, NAUTILUS AT introduces Aftertouch to the lineup, putting new heights of musical expression at your fingertips.
NAUTILUS AT features an expertly-tuned sound library that brings exciting aftertouch-controlled effects to the existing programs, meaning you can fully embrace the expressive capabilities of Aftertouch right out of the box.
Aftertouch, in combination with initial touch and the DYNAMICS knob (giving instant control over the changes in sound) opens a wide range of musical expression in just one instrument. Combined, these features truly unlock the full potential of nine powerful sound engines, and a vast array of other features on NAUTILUS.
NAUTILUS AT comes in two versions: an 88-key model with a premium weighted RH3 keyboard for an incredible piano feel, and a 61-key model with a light, responsive and smooth synthesizer keyboard feel.
(*) NAUTILUS-73 does not have an AT version.
Flagship model, Premium quality
NAUTILUS is manufactured in Japan to the highest levels of quality. The 88-key model uses the critically acclaimed RH-3 piano keyboard, a four-stage weighted hammer action keybed that provides an extremely realistic piano feel for even the most discerning of players. RH-3 keyboards are gradually weighted, meaning that the lower notes are heavier, and the higher notes lighter for superb playability. The 61-key NAUTILUS AT features a synthesizer keyboard with a light touch able to reproduce the most complex of performances reliably and with the smoothest feel.
As part of the wider NAUTILUS range, it’s easy to identify aftertouch-equipped models thanks to the AT mark above the NAUTILUS logo on the front panel.
Upgrade your NAUTILUS
Existing owners of 61 and 88 key NAUTILUS* need not miss out. KORG is rolling out an upgrade service that updates both the hardware and software of your keyboard, transforming your NAUTILUS into a NAUTILUS AT. For more information, and pricing of the upgrade service where you are, contact the KORG customer service team in your territory.
*This service is only available for 88 and 61-key models
Main Specifications
- Keyboard
- 88 key: RH3 (Real Weighted Hammer Action 3)*
61 key: Natural Touch Semi Weighted*
*Supports Velocity sensitive and aftertouch.
- imensions: (W x D x H)
- 88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”
- Weight
- 88 key: 23.1 kg / 50.93 lb.
61 key: 13.0 kg / 28.66 lb.
System, Keyboard
- System
- NAUTILUS System Version 1.0
- Keyboard
- 88 key: RH3 (Real Weighted Hammer Action 3), A – C
73 key: Natural Touch Semi Weighted, C – C
61 key: Natural Touch Semi Weighted, C – C
Velocity sensitive is supported, after touch is not supported.
Tone Generator
- Synthesis Types
- 9
SGX-2: Premium Piano (Acoustic Piano)
EP-1: MDS Electric Piano (Electric Piano)
HD-1: High Definition Synthesizer (PCM)
AL-1: Analog Synthesizer (Analog Modeling)
CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
STR-1: Plucked String (Physical Modeling)
MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX: Component Modeling Technology (Analog Modeling)
PolysixEX: Component Modeling Technology (CMT Analog Modeling)
- Maximum Polyphony*1*2
- SGX-2: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*3: 100 dual-stereo notes (equivalent to 400 mono voices)
- Preset PCM
- RAM 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)
- Build-in Expansion PCM Libraries
- EXs301: German2 D Piano
EXs302: Italian F Piano
EXs303: Japanese Upright U Piano
EXs304: Prepared Piano
EXs305: Historical Keyboards
EXs306: Vintage Keyboards 2
EXs307: Strings & Synths
EXs308: Guitar Collection
EXs309: Bass Collection
EXs310: World Essence
EXs311: Background Loops
EXs312: SFX & Hits
EXs313: Found Percussions
EXs314: Expansion Drums
- PCM RAM Capacity
- Approx. 2GB *4
*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
- Wave Sequences
- 598 User memory, 377 Preload
Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
SGX-2 Program
- Premium Piano
- Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced.
Una Corda sample support
- PCM
- EXs301 – German2 D Piano
12 velocity levels, includes Ambience Piano type/samplesEXs302 – Italian F Piano
12 velocity levels, no Una Corda samplesEXs303 – Japanese Upright U Piano
8 velocity levelsExs304 – Prepared Piano
1-4 velocity levels
- Piano Type
- 128
(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))
- Oscillator Control
- Damper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda
EP-1 Program
- MDS Electric Piano
- Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
- Electric Piano Model Types
- 7
Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
- Oscillator Control
- Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
- Panel Control
- Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)
- Effect Types
- 9
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
HD-1 Program
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
- Structure
- Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.
- Oscillators
- 8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
- Filters
- Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)
- Driver
- Per voice non-linear driver and low boost circuit
- EQ
- Three bands, with sweep-able mid
- Modulation
- Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
- Quick Layer / Split function
EXi Program Common
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Modulation
- Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
- EQ
- Three bands, with sweep-able mid
- Quick Layer / Split function
AL-1 Program
- Oscillators
- Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
- Audio Input
- External audio can be processed through the ring modulator, filter, driver, amp, and EQ
- Filters
- Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
- Driver
- Per-voice non-linear driver and low boost circuit
- Modulation
- Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer
CX-3 Program
- Tonewheel Organ Modeling
- Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
- EX Mode
- Four additional, user-specified drawbars, and expanded percussion
- Internal Effects
- Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
- Drawbar Control
- Controlled via nine front-panel sliders (via Tone Adjust)
- Split
- Upper, Lower (even in EX mode)
- Modulation
- Two AMS mixers
STR-1 Program
- Physically Modeled String
- Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime
- String Excitation
- Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.Excitation Filter
Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
- Audio Input and Feedback
- Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation
- Filters
- Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter Mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Modulation
- 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers
MOD-7 Program
- Waveshaping VPM Synthesizer
- Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files
- Oscillators
- 6 VPM/Waveshaper/Ring Modulation Oscillators
Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signalsPCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual MemoryNoise Generator (With saturation and low-pass filter function)
- Audio input
- Run real-time audio through the VPM Oscillators and filters.
- Filters
- Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)
Multi Filter mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Patch Panel
- Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
- Modulation
- 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers
MS-20EX Program
- Oscillators
- Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
- Audio Input
- Run real-time audio through the synthesis engine and ESP (External Signal Processor)
- Filters
- 12dB/octave High Pass and Low Pass self-resonant filters
ESP section
24dB/octave Low Cut and High Cut filters, available per voice.
- Patch Panel
- Patchable audio and modulation, at audio rates
- Patch Points
- Keyboard
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV InVCO
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 OutVCF
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF OutVCO+VCF
Total External Modulation InVCA
External Initial Gain Control In, VCA InEG
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse OutMG
Triangle Out, Rectangle OutNoise Generator
Pink Noise Out, White Noise OutSample and Hold
Clock Trigger In, Sample Signal In, S/H OutModulation VCA
Control Voltage In, Signal In, Signal OutManual Controller
Control Wheel Out, Momentary SwitchESP
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger OutOthers
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
- ESP (External Signal Processor):
- Use incoming audio as a trigger and/or CV source
- Modulation
- Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
PolysixEX Program
- Oscillators
- VCO
Saw, Pulse, PWMSub Oscillator:
Off, 1 octave below, 2 octaves below
- Filter
- 24dB(4-Pole) Octave Low Pass self-resonant filter
- Effects
- Integrated Polysix Chorus, Phaser, and Ensemble
- Arpeggiator
- Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
- Modulation
- Polysix
Original ADSR EG and MG (with MIDI sync).NAUTILUS
2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
Combination
- Number of Timbres, Master Keyboard Functionality
- 16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
- Advanced Vector Synthesis
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Quick Layer / Split function
Drumkit
Number of Programs/Combinations/Drum kits
- User Memory Programs
- 2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)
- User Memory Combinations
- 1,792 (256 come preloaded)
- User Memory Drum Kits
- 264 (104 come preloaded)
- 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
Set List
- Number of Set Lists/Slots
- 128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted
Transpose setting
Hold Time setting of Smooth Sound Transition (SST) supported for each slot
Sampling
- System
- Open Sampling System (resampling, In-Track sampling)
- Bit Depth/Sampling Frequency
- RAM
16-bit/48 kHz stereo/mono samplingDISK
16 or 24-bit/48 kHz
- Sampling Time
- RAM
Depends on the amount of available PCM RAMDISK
Maximum 80 minutes stereo (879MB: 16bit)
- Sample Locations
- 16,000 samples/4,000 multisamples (128 indexes per multisample)
- Formats
- KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
- Editing
- Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
Effects
- Insert Effects
- 12
Stereo in / stereo out
- Master Effects
- 2
Stereo in / stereo out
- Total Effects
- 2
Stereo in / stereo out
- Timbre EQ
- One 3-band EQ for each timbre/track
- Effect Types
- 197
- Modulation
- Dynamic Modulation and Common LFO
- Effects Control Busses
- Stereo side-chaining for compressors, gates, vocoders, etc
- Effect Presets
- Total 783 preset, Maximum 32 per 1 effect (Preset User)
Arpeggiator
- Arpeggiator Modules
- One module in Program mode, two modules in Combination and Sequencer modes
- Arpeggio Pattern
- 5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots
- Controllers
- On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
Drum Track
- Preset Patterns
- 1,272 (common with the preset patterns of the MIDI sequencer)
- User Patterns
- 1,000
Patterns created in Sequencer mode can be converted to drum track user patterns.
- Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.
Sequencer / HDR
- Tracks
- 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
- Number of Songs
- 200
- Resolution
- 1/480
- Tempo
- 40.00 – 300.00 (1/100 BPM resolution)
- Maximum Memory
- 400,000 MIDI events or 300,000 audio events
- MIDI Tracks
- 16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,
- Audio Tracks
- 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
Maximum Single-file Recording Time (mono): 80 minutes
Automation: Volume, Pan, EQ, and Send1/2
10,000 regions (max.)
Event Anchors, BPM Adjust
- Other Functions
- RPPR (Realtime Pattern Play and Record): 1 Pattern set per song
General
- Disk Mode
- Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
- Controllers
- Joystick, Switches 1 & 2
Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
DRUM TRACK: On/Off, Swing, Drum SD, Tempo
- Display
- TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness
- Principal Specifications
- Frequency Response
20Hz-22kHz, +/-1.0dB, 10k Ω loadTHD+N
20Hz-22kHz, 0.01%, 10k Ω load (typical)S/N
95dB (typical)Dynamic Range
95dB (typical)Crosstalk
95dB, at 1kHz (typical)
- Outputs
- L/MONO, R, Individual 1-4
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and RHeadphones
1/4” stereo phone jack
Output impedance: 33 Ω,
Maximum Level: 60+60 mW (when load impedance is 33 Ω),
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))USB-B
24-bit, Sample Rate: 48 kHz, 2 channels
(Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
- Inputs
- Audio Inputs 1 and 2
1/4” TRS Balanced
Input Impedance: 10 kΩ
Nominal Level: LINE +4 dBu
Maximum Level: LINE +16 dBu
Nominal Level: MIC –22 dBu
Maximum Level: MIC -10 dBu
Source Impedance: 600 ΩUSB-B
24-bit, Sample Rate: 48 kHz, 2 channels
- Control Inputs
- Damper pedal (half damper supported)
Assignable switch, Assignable pedal
- MIDI
- In, Out, Thru
- USB
- USB A (TYPE A)
For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)USB B (TYPE B)
MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output
*2 USB high-speed ports (supports 480Mbps)
- Disk Drives
- 60 GB SSD (2.5”)
- Power Supply
- AC power supply terminal, Power switch
- Dimensions: (W x D x H)
- 88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”
- Weight
- 88 key: 23.1 kg / 50.93 lbs.
73 key: 14.6 kg / 32.19 lbs.
61 key: 13.0 kg / 28.66 lbs.
- Power Consumption
- 40 W
- Accessories
- AC cord, Quick Start Guide
- Option
- XVP-20: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch
