Korg Kronos 2 SE 88 Keys
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Korg Kronos 2 SE 88 Keys

รหัสสินค้า: 13BK07030 Brand: Korg

This Kronos is special. The Korg Kronos Special Limited Edition synthesizer workstation rocks the new Italian Grand Library that made its debut with the Korg Grandstage.

108,000.00฿

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Korg Kronos 2 SE 88 Keys

One workstation, nine generations of Korg sound

Loaded with amazing sounds, powerful performance tools, and everything you need to create master-quality tracks, there’s little wonder why Korg’s Kronos is the keyboard workstation of choice for A-list artists like Jordan Rudess and Derek Sherinian. Among its nine pro-quality sound engines, you’ll find everything from premium piano models to classic EPs and organs and a plethora of synths cultivated over decades of development. Between its tactile controls and oversize touchscreen, you couldn’t ask for an easier system to navigate, and since it’s all housed in a sleek aluminum body with classy wood ends, your Kronos is ready to travel wherever your next gig may be.

The inimitable Italian Grand and KApro Showcase

With its liquid sonic presence and gorgeously detailed resonance, the Italian Grand has captured the attention of piano luminaries from both the classical and jazz worlds, captivating audiences worldwide. For the Kronos Special Limited Edition, a world-class concert grand previously used in international competitions was optimized and sampled by Korg’s sampling experts.

The KApro Showcase includes orchestral strings that sing with emotion, as well as brass, woodwinds, choir, and phrases. It’s a best-of-the-best sound showcase from KApro — the people responsible for over 100 Korg sound libraries. The KApro Showcase collection unlocks the door to expanded sonic horizons.

Nine Sound Engines, Infinite Possibilities

From acoustic instruments to gritty analog synths, the Korg Kronos’s nine synthesis engines can provide every sound you need. Simply put, if you took any of these individual synth engines and loaded them into an independent keyboard, you’d have a perfectly legitimate instrument most professional performers would be happy to play. All put together, this multifaceted synthesis environment lets you access thousands of sounds and layer them into rich and engaging music beds. This lets you play deep and complex sounds and full instrumental arrangements, all without the need to switch presets or pre-record backing tracks. Check out these amazing synthesis engines!

SGX-2 premium piano sound engine

The SGX-2 premium piano sound engine captures every nuance of real German and Japanese grand pianos. Even the most discerning pianist can appreciate the level of detail Korg put into these pianos, which includes breathtaking string resonance modeling that responds flawlessly to the way you use the damper pedal and provides true sympathetic harmonics. Another astonishing thing about the SGX-2 engine is its una corda soft pedal response. Literally meaning “one string,” the soft pedal on the Kronos lets you completely shift the piano action to access a whole additional range of timbre you rarely find on even dedicated digital pianos.

EP-1 MDS electric piano sound engine

Love the sound of classic electric pianos? Whether you’re looking for the bark and bell-like sound of steel reeds and electrostatic pickups or the hard and percussive sounds of hammers on tines, Korg’s EP-1 captures every vintage EP sound you crave. The key to its astonishing realism is called Multi-dimensional Synthesis (MDS) technology, which eliminates the unnatural sound of looped samples to provide seamlessly smooth dynamics that respond naturally to your touch. In addition to six distinct electronic piano models, the EP-1 engine includes a collection of amp, cabinet, speaker, and effects models you can use to completely define your sound.

CX-3 tonewheel organ sound engine

Of course, you can’t have amazing electronic pianos and forget to include a collection of classic organs. That’s why Korg had to include their CX-3 tonewheel organ sound engine. If you’re already familiar with Korg’s popular digital organs, then you won’t be surprised to hear this sound engine in action — or maybe you will be, since it comes coupled with all the advanced processing the Kronos has to offer. Start with iconic tonewheel sound, add in vacuum-tube-amp warmth, toss in some essential vintage effects, and top it off with must-have rotary speaker modeling, and you’re off to a good start. And that’s not taking into account the interactive percussion, instability, foldback, leakage, and minutiae modeled in obsessive detail, all delivering a level of realism that’s simply jaw-dropping.

HD-1 high-definition synthesizer PCM sound engine

Few companies have produced PCM-based synthesis engines for nearly as long as Korg, which is why it’s no surprise that their HD-1 PCM-based synthesizer engine is such an astonishingly powerful sound generator. The natural successor in a lineage going back to the original M1, this sound engine includes a legacy of popular Korg instruments, including many programs left out of previous keyboards due to memory constraints. At the same time, this collection of sounds isn’t just a history lesson in Korg classics, it benefits from amazing modern technologies such as low-aliasing sample playback oscillators, high-res filters, and many other synthesis components that will redefine the way you think about traditional digital synthesis.

MS-20EX analog modeling sound engine

It hardly gets more classic than the Korg MS-20 analog synthesizer, so when we heard the Kronos’s MS-20EX analog modeling sound engine in action, the synth nuts were gobsmacked. Korg has since gone on to re-create the MS-20 in multiple other guises, including an iOS version. Nonetheless, the impressive power of Korg’s Component Modeling Technology (CMT) delivers a level of detail that reproduces this favorite mini modular synth more faithfully than ever. What’s more, there are no limits to this sound engine, which allows you to go so far as to use external audio as the oscillator source, if you want. There are millions of creative ways to put the MS-20EX engine to work in your rig!

AL-1 analog synthesizer modeling sound engine

When Korg goes big, they go WAY big, like when they introduced the OASYS (Open Architecture Synthesis Studio) in 2005. Considered by many to be Korg’s concept car, the OASYS introduced many new technologies that were way ahead of its time — so far ahead of its time that they’re still being explored and developed well over a decade later. One of the sound engines introduced by this beast was the AL-1, a high-fidelity analog-modeling synth that harnesses modern computer processing to combine complex waveforms, routing, and modulation, with filter morphing and freakishly smooth oscillator performance to let you build analog-sounding programs that go leaps and bounds beyond the capabilities of real analog circuitry.

MOD-7 waveshaping VPM/FM synthesis sound engine

Variable Phase Modulation (VPM) hit the keyboard world in 1995 with the introduction of Korg’s Prophecy and gained even more popularity when their Z1 followed a couple of years later. This fusion of PCM cross modulation, semi-modular subtractive synthesis, and extensive waveshaping all come together in the MOD-7 sound engine, which uses the Kronos’s powerful graphic interface and hands-on controls to make constructing patches easy. Whether you’re after the ping and chime of classic FM electric piano sounds or want to create your own energizing soundscapes or rhythmic pads, there’s a ton of sonic real estate to explore in the MOD-7.

STR-1 strings physical model sound engine

These aren’t your typical synth strings. Rather than using old-school synthesis, the STR-1 plucked strings sound engine employs physical modeling — a high-tech form of sound generation that calculates the specific behavior of strings in motion to generate realistic guitar, harp, harpsichord, and ethnic stringed instruments in ways PCM/sample-based synths can’t quite manage. What’s more, this sound engine lets you dig in deep to create unique sounds entirely of your own. It’s the perfect tool for anyone who loves getting tweaky and diving into sound design.

The Most Expressive Sounds You’ll Play

How much time do you enjoy putting into getting great sounds from your keyboard that fit your playing style? If you’re like most of us, then the answer is “none.” That’s why keyboardists and composers love the Kronos. This amazing keyboard workstation features sounds that respond naturally, not only to playing dynamics but many other factors as well. From the first time you fire it up, sit down, and play, you’ll be in love with this amazing system.

All of this is only possible thanks to powerful synthesis technologies, many of which were developed specifically for the Kronos. Onboard you’ll find many signs of this tech, including solid-state storage and memory. That’s the driving force behind Korg’s Virtual Memory Technology, a flexible system that provides you with high polyphony as well as incredible unlooped samples. It also allows the Kronos to perform smooth sound transitions, so you can hold sustain notes while switching sounds or modes — just what you need for seamless transitions from one passage to the next.

Music-production Studio Onboard

More than just an amazing performance keyboard, the Korg Kronos is a complete 32-track music creation workstation. In addition to a robust 16-track sequencer, Korg gave their Kronos series keyboard the capacity to record up to 16 audio tracks as well. That means you get a complete studio-standard, 24-bit/48kHz recording system right inside your workstation!

Want to spice up your tracks? No problem! Your Kronos comes with an entire rack full of effects, each of which more than rivals dedicated standalone effects units. Since you can run up to 16 of these fantastic effects at once, it’s easy to enhance entire songs. And thanks to the Kronos’s Open Sampling System, you can even sample and resample any sounds you create. Talk about a great way to come up with amazing and unique new sounds.

Get Your Hands on Your Sounds

Long known for their easy-to-use workstation environments, Korg raised the bar again by loading their Kronos series keyboards with abundant hands-on controls. Starting with the large 8″ TouchView display, you’ll find navigating through the Kronos environment to be refreshingly simple. Each contextual menu puts all the most important controls at your fingertips, so you never have to dive in deep to get the results you want.

A complete set of sliders, knobs, and buttons lets you adjust a wide range of parameters on the fly. Whether you’re tweaking tones or mixing a complete song, you’re sure to appreciate these extensive controls. On that note, there’s a touch-activated ribbon and Korg’s fantastic Vector joystick onboard, providing you with a massive amount of expression. What’s more, your Kronos includes Korg’s next-gen KARMA technology, so you don’t even need to touch any controls to get realistic real-time accompaniments that let you focus on your own performance.

Korg Kronos Special Limited Edition 88-key Synthesizer Workstation Features:

  • Special Edition Kronos includes Italian Grand Library, KApro Showcase, red gradient panel, and black wood ends
  • Comprehensive keyboard workstation with 9 sound engines, thousands of sounds and effects, extensive hands-on controls, and everything you need to arrange and create original music onboard
  • 88-note flagship RH3 weighted hammer-action keyboard with 4 resistance zones provides authentic piano feel
  • SGX-2 sound engine takes a no-compromises approach to acoustic piano sound, featuring complex, full-sample synthesis to deliver the character of famous German and Japanese grands, including string resonance and una corda modeling
  • EP-1 sound engine employs Korg’s cutting-edge Multi-dimensional Synthesis (MDS) technology to simulate the precise behavior of reed and tine electric pianos, along with effects and more
  • CX-3 sound engine perfectly models timeless tonewheel organ sound, complete with a full complement of vintage effects, tube-amp warmth, and rotary speaker cabinet emulation
  • HD-1 sound engine leverages decades of PCM digital synthesis developments to produce wavetable tones ranging from perennial classics to unparalleled futuristic synth sounds
  • MS-20EX sound engine utilizes Component Modeling Technology (CMT) to recall Korg’s classic MS-20 semi-modular monosynth down to its finest details, including external input routing
  • PolysixEX sound engine faithfully re-creates the original 1981 Polysix, including its 6-voice polyphony, aggressive 4-pole filter, and onboard effects
  • AL-1 sound engine puts legendary OASYS technology into action, mimicking the behavior and response of classic analog synth hardware while including modern functions such as filter morphing, complex waveforms, and more
  • MOD-7 sound engine uses waveshaping VPM/FM synthesis to generate everything from the classic electronic piano sounds found in countless ’80s ballads to unique and evolving pads and sound beds
  • STR-1 sound engine uses advanced physical modeling to synthesize virtual plucked strings for guitar, harp, harpsichord, ethnic instruments, and many other creative sound-design applications
  • Sounds include numerous artist signature programs created by top musicians and 16-part combis with complex sounds covering multiple engines
  • Massive 62GB solid-state storage comes preloaded with 21GB of sound content covering thousands of sounds, programs, and songs
  • Dynamic Voice Allocation manages polyphony for realistic sound layering to keep your performances sounding natural
  • Enormous 8″ 800px x 600px SVGA TouchView display makes navigation easy while providing you with detailed feedback and parameter control
  • Set List mode lets you organize programs, combis, and songs into a single, easy-to-select screen
  • Comprehensive onboard songwriting platform includes powerful 16-track sequencing and 16-track audio recorder, allowing you to create entire songs via an intuitive workflow
  • Advanced Kay Algorithmic Real-time Music Architecture (KARMA) technology provides natural-sounding and responsive accompaniment that adapts to your style as you play
  • Complex yet easy-to-use drum tracks from the M3 synthesizer allows you to quickly add compelling drums and rhythmic elements to your music
  • Create your own unique sounds via the onboard Open Sampling System, which takes external sounds or internal samples to create new instruments
  • Enhance your sounds with 16 extensive onboard effects processors and 12 insert effects, plus a 3-band EQ for every track
  • USB/MIDI host ports let you instantly add MIDI control surfaces directly to your workstation for even greater hands-on control
  • Onboard performance controls include Korg’s classic 4-way Vector joystick and a responsive ribbon controller, as well as 2 pedal inputs with half-damper support
  • Slim body with classy wood cheeks looks great, travels well, and fits on any keyboard stand for comfortable live gigging
  • USB Ethernet adapter compatibility enables high-speed data transfer between Kronos and your computer and lets you access the Kronos Editor and Plug-in Editor software

 

 
CT MUSIC SHOP

Specs

System

System
KRONOS System Version 3.0
Keyboard
88 key: RH3 (Real Weighted Hammer Action 3)
73 key: RH3 (Real Weighted Hammer Action 3)
61 key: Natural Touch Semi Weighted

Tone Generator

Synthesis Types
9
SGX-2: Premium Piano (Acoustic Piano)
EP-1: MDS Electric Piano (Electric Piano)
HD-1: High Definition Synthesizer (PCM)
AL-1: Analog Synthesizer (Analog Modeling)
CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
STR-1: Plucked Strings (Physical Modeling)
MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX: Component Modeling Technology (Analog Modeling)
PolysixEX: Component Modeling Technology (CMT Analog Modeling)
Maximum Polyphony*1*2
SGX-2: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices*1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*3: 100 dual-stereo notes (equivalent to 400 mono voices)
Preset PCM
314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)
Build-in Expansion PCM Libraries
EXs1 – ROM Expansion
EXs2 – Concert Grand Piano
EXs3 – Brass & Woodwinds
EXs4 – Vintage Keyboards
EXs5 – ROM Expansion 2
EXs6 – SGX-1 German D Piano
EXs7 – SGX-1 Japanese C Piano
EXs8 – Rock Ambience Drums
EXs9 – Jazz Ambience Drums
EXs17 – SGX-2 Berlin D Piano
EXs18 – KORG EXs Collections
PCM RAM Capacity
Approx. 2GB *4
*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
Wave Sequences
598 User memory, 187 Preload
Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.

SGX-2 Program

Premium Piano
Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced.
Modeled String Resonance.
Una Corda sample support
PCM
EXs6:SGX-1 German D Piano
EXs7:SGX-1 Japanese C Piano
EXs12:SGX-1 Austrian D Piano (Option Sound libraries)
8 velocity levels, no Una Corda samples
EXs17:Berlin D Piano
12 velocity levels, includes Una Corda samples
Piano Type
64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)
Oscillator Control
Damper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda

EP-1 Program

MDS Electric Piano
Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
Electric Piano Model Types
6
Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator Control
Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
Panel Control
Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
Effect Types
9
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah

HD-1 Program

Advanced Vector Synthesis
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
Structure
Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.
Oscillators
Virtual Memory Technology (VMT) plays large samples directly from the internal SSD.
8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
Filters
Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),
Four-mode filter routings (single, serial, parallel and 24dB mode)
Driver
Per voice non-linear driver and low boost circuit
EQ
Three bands, with sweep-able mid
Modulation
Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

EXi Program Common

Advanced Vector Synthesis
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
Modulation
Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
EQ
Three bands, with sweep-able mid

AL-1 Program

Oscillators
Ultra-low-aliasing oscillators
OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
Audio Input
External audio can be processed through the ring modulator, filter, driver, amp, and EQ
Filters
Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),
Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
Driver
Per-voice non-linear driver and low boost circuit
Modulation
Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.

CX-3 Program

Tonewheel Organ Modeling
Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
EX Mode
Four additional, user-specified drawbars, and expanded percussion.
Internal Effects
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control
Controlled via nine front-panel sliders (via Tone Adjust)
Split
Upper, Lower (even in EX mode)
Modulation
Two AMS mixers

STR-1 Program

Physically Modeled String
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.
Most string parameters can be controlled in realtime.
String Excitation
Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM.
16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
PCM Oscillator: 
KORG’s ultra-low-aliasing technology, as introduced in the HD-1;
4 velocity zones per oscillator;
Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.
Supports Virtual Memory.
Excitation Filter: 
Dedicated 2-pole multimode filter for shaping the string excitation.
Filter can be enabled/disabled separately for each excitation source.
Low Pass, High Pass, Band Pass, and Band Reject modes
Audio Input and Feedback
Run real-time audio through the string, including feedback through effects.
Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
Filters
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter Mode (Filter A only).
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Modulation
5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.

MOD-7 Program

Waveshaping VPM Synthesizer
Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
Oscillators
6 VPM/Waveshaper/Ring Modulation Oscillators: 
Phase and modulatable pitch per oscillator.
101 Waveshaper tables plus modulatable Drive and Offset.
Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
PCM Oscillator: 
KORG’s ultra-low-aliasing technology, as introduced in the HD-1.
4 velocity zones per oscillator.
Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
Audio input
Run real-time audio through the VPM Oscillators and filters.
Filters
Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)
Two types of filter looping (Parallel and 24 dB “4-Pole”)
Multi Filter mode (Filter A only): 
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Patch Panel
Supports both preset algorithm (78 types) selection and free patching.
Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.
Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
Modulation
10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

MS-20EX Program

Oscillators
Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
Audio Input
Run real-time audio through the synthesis engine and ESP (External Signal Processor)
Filters
12dB/octave High Pass and Low Pass self-resonant filters
ESP section: 
24dB/octave Low Cut and High Cut filters, available per voice.
Patch Panel
Patchable audio and modulation, at audio rates
Patch Points
Keyboard: 
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO: 
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF: 
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF: 
Total External Modulation In
VCA: 
External Initial Gain Control In, VCA In
EG: 
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG: 
Triangle Out, Rectangle Out
Noise Generator: 
Pink Noise Out, White Noise Out
Sample and Hold: 
Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA: 
Control Voltage In, Signal In, Signal Out
Manual Controller: 
Control Wheel Out, Momentary Switch
ESP: 
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Others: 
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
ESP (External Signal Processor)
Use incoming audio as a trigger and/or CV source.
Modulation
Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
Original MG (with MIDI sync), Sample-and- Hold, MVCA,
KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.

PolysixEX Program

Oscillators
VCO: 
Saw, Pulse, PWM
Sub Oscillator: 
Off, 1 octave below, 2 octaves below
Filter
24dB (4-Pole) Octave Low Pass self-resonant filter
Effects
Integrated Polysix Chorus, Phaser, and Ensemble
Arpeggiator
Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
Modulation
Polysix: Original ADSR EG and MG (with MIDI sync).
KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

Combination

Number of Timbres, Master Keyboard Functionality
16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
Advanced Vector Synthesis
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Drumkit

System
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

Number of Programs/Combinations/Drum kits

User Memory Programs
2,560 (1,792 [896 HD-1+896 EXi] come preloaded)
User Memory Combinations
1,792 (512 come preloaded)
User Memory Drum Kits
264 (78 come preloaded)
256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

Set List

Number of Set Lists/Slots
128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted.
Transpose setting.
Hold Time setting of Smooth Sound Transition (SST) supported for each slot.

Sampling

System
Open Sampling System (resampling, In-Track sampling)
Bit Depth/Sampling Frequency
RAM: 16-bit/48 kHz stereo/mono sampling
DISK: 16 or 24-bit/48 kHz
Sampling Time
RAM: Depends on the amount of available PCM RAM
DISK: Maximum 80 minutes stereo (879MB: 16bit)
Sample Locations
16,000 samples/4,000 multisamples (128 indexes per multisample)
Ripping
Direct sampling (ripping) from audio CD (CD-DA)
Formats
KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
Editing
Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

Effects

Insert Effects
12
Stereo in / stereo out
Master Effects
2
Stereo in / stereo out
Total Effects
2
Stereo in / stereo out
Timbre EQ
One 3-band EQ for each timbre/track
Effect Types
197
Modulation
Dynamic Modulation and Common LFO
Effects Control Busses
Stereo side-chaining for compressors, gates, vocoders, etc.
Effect Presets
Total 783 preset, Maximum 32 per 1 effect (Preset User)

KARMA

KARMA Modules
One module in Program mode, four modules in Combination and Sequencer modes
Generated Effects (GE)
2,048 presets, 1,536 Users (96 come Preload)
Controllers
On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
Drum Track Patterns
718 preset (common with the preset patterns of the MIDI sequencer)
1,000 user patterns
Patterns created in Sequencer mode can be converted to drum track user patterns.
Trigger Mode/Sync/Zone settings can be specified.

Sequencer/HDR

Tracks
16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
Number of Songs
200 songs
Resolution
1/480
Tempo
40.00 – 300.00 (1/100 BPM resolution)
Maximum Memory
400,000 MIDI events or 300,000 audio events
MIDI Tracks
16 tracks plus the master track
718 preset/100 user patterns (per song)
18 preset/16 user template songs,
Audio Tracks
16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
Other Functions
RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function

General

Disk Mode
Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
Controllers
Vector joystick, joystick, ribbon controller, switches 1 & 2
Control Surface: 
Control Assign Switches: 
Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA,
Tone Adjust/EQ
Mixer Knobs Switch: 
Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
KARMA Control: 
On/Off, Latch, Module Control
DRUM TRACK: 
On/Off
Display
TouchView graphical user interface, 8 inch color TFT, SVGA (800×600 dots), adjustable brightness
Outputs
== Analog == 
(MAIN) L/MONO, R: 
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R
Individual 1-4: 
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono,
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
Headphones: 
1/4” stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω),
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
== Digital == 
S/P DIF: 
Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)
Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R
USB-B: 
24-bit, Sample Rate: 48 kHz, 2 channels
(Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
Inputs
== Analog == 
Audio Inputs 1 and 2: 
1/4” TRS Balanced
MIC/LINE input level switches, LEVEL knobs
Input Impedance: 10 kΩ
Nominal Level: LINE
+4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)
Nominal Level: MIC
–22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)
Maximum Level: LINE
+16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)
Maximum Level: MIC
-10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)
Source Impedance: 600 Ω
Signal to noise ratio: 95 dB (typical)
Dynamic range: 95 dB (typical)
Crosstalk: 95 dB, at 1 kHz (typical)
== Digital == 
S/P DIF: 
Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz
USB-B: 
24-bit, Sample Rate: 48 kHz, 2 channels
Control Inputs
Damper pedal (half damper supported), assignable switch, assignable pedal
MIDI
In, Out, Thru
USB*5
USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
USB B (TYPE B) x 1, MIDI/audio interface
MIDI: 1 (16 channel) input / 1 (16 channel) output
Audio: 2 channel input / 2 channel output
*5 USB high-speed ports (supports 480Mbps)
Disk Drives
60 GB SSD (2.5”)
Optional installation of second internal SSD
Power Consumption
60W
Dimensions
(W x D x H)
61 key: 1,040 x 364 x 134 mm / 40.94” x 14.33” x 5.28”
73 key: 1,221 x 371 x 148 mm / 48.07” x 14.61” x 5.83”
88 key: 1,443 x 371 x 148 mm / 56.42” x 14.61” x 5.83”
Weight
61 key: 14.3 kg / 31.53 lbs.
73 key: 21.1 kg / 46.52 lbs.
88 key: 24.1 kg / 53.13 lbs.
Accessories
AC cord, Quick Start Guide, Accessory DVD Discs 1-3 (DVDs include KRONOS Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)

Principal Specifications

Frequency Response
20Hz-22kHz, +/-1.0dB, 10k Ω load
THD+N
20Hz-22kHz, 0.01%, 10k Ω load (typical)
S/N
95dB (typical)
Dynamic Range
95dB (typical)
Crosstalk
95dB, at 1kHz (typical)

VDO Review

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Tel : 089-786-6306
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